Mountain Lion seems to have LOST speed in Premiere rendering with the GTX 285. I'm still on SL - I'm not too thrilled about Lion and questioning ML.Ĥ. ![]() ![]() Again, runs hotter, uses more power but is more than 1/2 the price! I just ordered one for $219! Since the 4xx series are FERMI, they will need Lion or some inserts on the hack. The GTX 480 is slightly faster than than GTX 570 and almost as fast as the GTX 580 in Resolve. GTX 580 cards have sky rocketed in price because of this fact and since NVIDIA is not making them any more, supply has dwindled.ģ. Remember how the 285 beat the more expensive card for computational processing?Ģ. It is being compared to the quadro 4000 series vs GTX 285. Word is, an OC GTX 680 is almost as fast as a GTX 580 in Resolve (abet less power usage.) VERY disappointing thus far seeing how many CUDA cores it has. That may be cool for some, but here are the issues I'm seeing:ġ. The big issue is that Mountain Lion supports 6xx series NVidia GPU's out of the box. You also have the ability to select multiple clips and create groups, as well as flag certain clips with information about what needs to be done to them. In addition to the unlimited frame rate support, the lightbox view is a welcome addition, and it will be extremely helpful for when you have tons of clips but you want to quickly find a specific one. Source mode will leave each clip's frame rate as it was, and Target mode will change the frame rate depending on the "calculate timecode at" setting. When you are finished with your color correction or grading, you have the choice of rendering out as Source or Target mode. After you import your AAF or XML file with mixed frame rate media, you’ll want to make sure that your “Playback framerate” is identical to the “Calculate timecode at” setting for optimal performance. You have to turn this checkbox on before you import an AAF or XML mixed frame rate project (to learn why, check the manual). Resolve 9 lets you mix and match whatever frame rates are necessary within a single project, so long as you turn on the “Handle mixed frame rate material” checkbox in the Master Project Settings panel of the new Project Settings window (available by clicking the gear icon in the lower left-hand corner). Prior versions of Resolve were constrained by only supporting a single frame rate in a particular project, but no more. This is what Alexis had to say about mixed frame rate support: ![]() If Apple had continued development of its Color program, these are some of the improvements we would likely have seen (along with a new interface). ![]() I think two of the most interesting and powerful updates are the mixed frame rate support and the lightbox view. Metadata Editor - edit a seemingly infinite amount of metadata attributes.Clip Attributes - change multiple attributes all at once.Lightbox View - view thumbnails of all of your clips and apply flags.Video is no longer available: Here is his list of some major new features he is excited about: If you haven't seen his video, here it is again (he has also written books - as well as the manual to the new Version 9 - like Color Correction Handbook: Professional Techniques for Video and Cinema): Alexis Van Hurkman, a writer/director/colorist who we've covered here in the past with his post-NAB Resolve 9 demo, takes a look at some of his favorite features that are new to version 9. Blackmagic has, however, released a beta version of the program which is free to download from their site. While the newest version, DaVinci Resolve 9, was set to be released in July, it has been slightly delayed (along with the camera). While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic's powerful color correction/grading program DaVinci Resolve.
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